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The steps in this section are to overcome the somewhat wonky multi-channel MIDI routing in Logic and are not required for driving a single channel in Logic from Live. Projects default to listening to all instruments. This causes endless trouble with MIDI loops. Here are the steps:. Click on this photo to get a full-sized version — note that all channels are armed for recording, and each has a different MIDI channel assigned as seen with the light number in brackets immediately to the right of each track name.

Use the Mixer window to assign audio channels to tracks in Logic. This is only required for multi-channel configurations. Test the configuration. Notes should sound in Logic on the tracks corresponding to the ones that have been record-armed in Live. Bring each external controller back into the Live configuration one at a time and iron out any wrinkles that may appear.

Push or Komplete Kontrol. Debugging all possible problems with external controllers is beyond the scope of this post. This is true. Logic is grabs those controllers away from Live when it starts. This feature is simply not possible in Ableton Live. So if you're planning on large format recording and mixing, that is something to consider.

Logic and Live each support any Mac OS interface, or third-party plugins of your choice, and you can assign multiple devices if you want to have separate input and output for any reason something that Pro Tools cannot do. You can also set up hardware inserts and use your outboard gear as external plugins.

Logic's deeper editing makes for quick and easy decision-making. As explained in the session view section, there is an in-depth toolset that you can slice, fade, loop, select, pencil in automation with, mute clips, solo clips, and the list goes on. You can quickly come up with whichever combination works for you and your use case, and commit it to muscle memory so you can fly through editing projects. Through Logic's audio effects menus, Logic Pro boasts a wide range of excellent sounding dynamics plugins, integrated channel EQ with sonic visualizer, and time-based processors, such as reverbs, delays, flangers, phasers, etc.

All of which can stand their ground with any popular third-party plugin manufacturers. Another thing to consider when you're factoring things into your budget. So, in the Ableton vs.

Logic conversation for recording software, Logic is quite obviously a more fully-featured product. However, if you're needs are not as vast as explained above, Ableton Live can do the trick. Maybe you're just recording one thing at a time, just making loops and simple overdubs as you put your composition together. Maybe there's no need to record and play multiple instruments at large track counts. Of course, if you're recording and live to loop, Ableton Live's quick and simplistic approach might be more desired.

The effect plugins don't sound the same, and I've yet to do a shootout with the originals vs. If you're a guitar player and do a lot of recording, instead of micing an amp and recording the distortion, EQ, and compression right into the audio file, you can record dry and affect the signal later with these, pretty genuine sounding, guitar pedal plugin effects.

Useful for any instruments, samples, percussion sounds, vocals, really anything that you need to get a bit dirty, distorted, phased, or alien with a ring modulator. Logic also of course has the classic Delay Designer, Tape Delay, and Space Designer reverb - older plug-ins that have withstood the test of time because of how well they were made. You can trust Logic's long development history and one thing they've always done exceptionally well; made time-based processing plug-in effects.

The Tape Delay, another stalwart, sounds realistic and warm, akin to the classic Roland RE, which they most likely were going for in the development process. The Space Designer stays true to its namesake and allows you to design artificial space via impulse responses that you can record using the IR Utility app that gets launched via Space Designer itself.

If you're trying to create a specific reverb sound, impulse responses can sometimes be your best bet. The IR Utility app is a little flustering at first, and something I wish they'd have just integrated into Logic Pro why go outside of a recording app to record? If you're looking to mangle sounds into oblivion - but maintain a great sonic aesthetic, Ableton Live will not disappoint.

Sure they have time-based processing effects like Logic Pro, but they also have great effects that can twist, stutter, warp, and stretch. They have unique effects, like Spectral Time, which is a mix between a looper and a delay and creates these nice "spectral smearing" sounds that are good for transitions or just to experiment with.

Experimentation and Max MSP go hand in hand. Whereas Logic Pro X does have everything you need to create from scratch and polish up an amazing song. Max for Live is the type of tool that helps artists and producers create new genres.

Take Sonic Faction's Probability pack for instance which is free, by the way. The special thing about this suite of sequencer effect plugins is the fact that you can alter the probability of which different events and parameters occur. You can choose between melodic probability, rhythmic probability, probability of arpeggios, or just plain chaos, where melodies get created at random. Tools like these make tinkering for new sounds enjoyable On the functional side, Live also sports audio effects like the age-old Auto Filter.

Every digital audio workstation probably has something similar, a filter attached to an LFO that you can set to automatically modulate as desired.

Though simple in theory, it's a very effective tool and sounds great on vocals, guitars, keys, strings, drums, basically anything that needs just a hint of movement but should remain subtle. It's a compressor, saturator, exciter, transient designer, and sub-harmonic enhancer, all in one.

I find it to be one of the most useful tools on drums and have found a use for it elsewhere on vocals, pads, and string samples. You can use it on anything that you want to stand out in the mix. It certainly goes to bat with renowned third-party plugin manufacturers like Waves, Izotope, SoundToys, etc. Beyond the free trial, no.

But you can enjoy the Lite version for free from its bundling with any midi keyboard or controller, or from downloading an App that comes bundled together with a Lite instance You can check all the options in the dedicated section of this article. Live Lite does not have a price, since it's not directly distributed by Ableton. It comes bundled with third-party hardware gear or software apps, some of which are free. So you can get your hands on Live Lite for free, and legally. Check all options here.

You can check the Lite feature list here. While the upgrade from 8 tracks to 16 tracks may sound significant, it's probably not worth paying for the upgrade, it's better to jump directly to the Standard edition for unlimited tracks and unrestricted features. Yes, you definitely can!

You will just need a proof of purchase, and to complete this form to request a replacement serial number. You need to register your license number to your Ableton account in order to first authorize Live Lite. The whole installation package can be downloaded from this link. Getting Ableton Live for free is easy, once you understand the restrictions. The Full version can be yours free of charge for Days, to get your feet wet with Ableton.

Alternatively, you can get Ableton Live Lite bundled for free with most midi instruments and effects. Live Lite is a stripped-back version of Ableton Live, that is perfect for beginners and confirmed producers alike. It features some awesome-sounding instruments and built-in plugins you can use instantly. Overall, there is no objectively better option. Budget is obviously important to all of us, but purchasing a DAW is an investment in your future. On top of this, this may mean you have to spend money on a second DAW in the future if you rushed your decision.

Opening a new DAW can be an incredibly daunting experience. You are instantly met with an array of windows, menus and controls, with absolutely no idea where to get started. Each DAW has their own separate learning curve. Some offer a more linear, beginner-friendly interface, while others definitely take some time to get used to.

To help out beginners and often even advanced producers both Ableton and Logic Pro offer on-board explanations of each control and production module. In Ableton, simply hover your mouse over something and a brief description will appear in the bottom left corner of the screen. From my experience, producers with no prior knowledge of music creation seem to pick up Logic way faster than almost any other DAW. This seems to be primarily down to the spacious, clear layout and module arrangement.